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Collapse 0988 - Letters of artists, musicians, writers and others residents in St Marylebone0988 - Letters of artists, musicians, writers and others residents in St Marylebone
Collapse 1 - Correspondence relating to art1 - Correspondence relating to art
1 - Letter from H[enry] H[ugh] Armstead (1828-1905), sculptor, at the Studio, Bridge Place, Eccleston Bridge, St George Hanover Square, to Miss Cooke expressing his regret at the death of her father, [Edward W] Cooke (1811-1880), painter and engraver, a distinguished artist at the Royal Academy, 11 Jan [1880]
2 - Letter from Edwin Bale (1838-1923), art director of Cassell and Co Ltd in the City of London, to John Fulleylove (1845-908), landscape painter and watercolourist, commissioning him to produce pen and ink landscape drawings from photographs
3 - Letter from C Burton Barber (1845-1894), portrait painter, at 1 Titchfield Road, to [John] Fulleylove (1845-1908), landscape painter and watercolourist, asking him to furnish a design for lamps outside the art gallery of the [Institute of Painters in Oil Colours]
4 - Letter from William Barclay (1797-1859), minaturist, at 41 Foley Place to the Secretary of the Royal Academy informing him about seven miniatures sent to Somerset House for exhibition, 9 Apr [1832-1833]
5 - Letter from William Boxall (1800-1879), portrait painter, at 14 Welbeck Street, to an unidentified correspondent concerning their use of a figure for their painting
6 - Letter from W[illiam] Boxall (1800-1879), portrait painter, at 14 Welbeck Street to [J C] Mandy, miniaturist, apologising for being unable to recommend anyone in the arts, but suggesting an American painter whose painting of the Niagara Falls had been discussed in The Times
7 - Letter from Thomas [William Ashton] Haviland Burke (1795-1852), barrister and print collector, at 27 Gloucester Place, to an unidentified correspondent inviting her and Miss Carpenter to view prints of Sir Joshua [Reynolds] (1723-1792), history and portrait painter
8 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at 16 Marlborough Place, to N W Phillips enclosing his subscription to the Artists' General Benevolent Institution
9 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at 16 Marlborough Place, to an unidentified correspondent concerning his invitation to the annual dinner of the Artists' Benevolent Institution
10 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at Weston Lodge, 16 Grove End Road, to Mr Gotto informing that he had already sold his picture, 'Reduced Three Per Cents', before the opening of the Royal Academy Exhibition
11 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at Weston Lodge, 16 Grove End Road, to [John] Adams-Acton (1834-1910), sculptor, cancelling an engagement due to poor health, nd [1876-1886]
12 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at Weston Lodge, 16 Grove End Road, to [James Clarke] Hook (1819-1907), marine and genre painter, thanking him for finding a house which he will visit with a view to buying
13 - Letter from Philip H[ermogenes] Calderon (1833-1898), painter, at Weston Lodge, 16 Grove End Road, to E[dward] Armitage (1817-1896), history painter, at 3 Hall Road concerning the arrangements for their visit to the President [of the Royal Academy], nd [1881-1886]
14 - Letter from Mrs Ethel Copley at Alassio, Italy to Mrs Hubbard informing her that she had directed Mr Wright of Colnaghi's to send Mrs Hubbard the print she requested
15 - Letter from John Copley (1875-1950), lithographer, in Hampstead to [Eric] Hesketh [Hubbard] (1892-1957), landscape and genre painter, asking him when Mr Cleveland of the Manchester Art Gallery should send the two drawings of Alfred Thornton to the [Royal Academy?] for exhibition
16 - Letter from C[harles] Couzens, portrait painter, at 59 Baker Street to [Henry] Mogford, picture framer, concerning two family portraits belonging to Mrs [Tonedes] of Tulse Hill which Couzens wanted framing before they went for exhibition at the Crystal Palace, [1855-1859]
17 - Covering letter from Mrs Hilda Cowham (d 1964), engraver, at 92 Clifton Hill to [E Hesketh] Hubbard (1892-1957), landscape and portrait painter, formerly enclosing a print of the Fairy Ballet, endorsed with note by him that note was slightly repaired
18 - Letter from Ernest Crofts (1847-1911), history painter, at 45 Grove End Road to Stanley B Osborne complying with his request for an autograph
19 - Letter from Ernest Crofts (1847-1911), history painter, at Burlington House, Piccadilly, to Newton Braley thanking him for his donation to the widow and children of A Lerne, artist's model
20 - Letter from Frederick Cruickshank (1800-1868), minaturist, at 56 Devonshire Street, Portland Place, to W B Grenside concerning Mr Moore of Derby's process for cleaning alabaster and relative merits of Cruickshank's paintings for Mr Smith, including a portrait of Grenside
21 - Letter from H[enry William Banks] Davis (1833-1914), landscape and animal painter, at 18 Saint John's Wood Road to Mrs Jeafferson thanking her for recommending Miss Sharpe as governess, 16 Jan [1876-1892]
22 - Letter from Campbell Dodgson at 22 Montagu Square to [Eric] Hesketh Hubbard (1892-1957), landscape and genre painter, expressing his regret at not owning a drawing by any artist on Hubbard's list, but telling him about his prints by [John] Hall Thorpe (b 1874), flower and landscape painter and engraver, and Gregory Brown (b 1887), landscape painter and illustrator, and recommending alternative collections, 3 Sep [1925]
23 - Letter from Joseph Durham (1814-1877), sculptor, at 21 Devonshire Street, Portland Place, to Mrs Adams telling her about a ticket and accepting her invitation, 2 Jul [1856-1863]
24 - Letter from Alfred [W] Elmore (11815-1881), history and genre painter, at 31 Devonshire Street, Portland Place, to E[dward] W Cooke (1811-1880), painter and engraver, accepting an invitation
25 - Letter from Edward Onslow Ford (1852-1901), sculptor, at Abinger Hammer Surrey, to [G S ] Deacon, portrait, landscape and genre painter, offering advice on the training of Deacon's female friend studying sculpture
26 - Letter from Edward Onslow Ford (1852-1901), sculptor, at 62 Acacia Road to [Walter William] Ouless (1848-1933), portrait painter, thanking him for his response to Ford's appeal
27 - Letter from Edward Onslow Ford (1852-1901), sculptor, to Mr Neale requesting a cure for a headache before the Royal Academy banquet
28 - Letter from Edward Onslow Ford (1852-1901), sculptor, at 62 Acacia Road to [William Westley] Manning (1868-1954), landscape painter and engraver, sending him his photograph
29 - Letter from Edward Onslow Ford (1852-1901), sculptor, at 62 Acacia Road to [Basil] Champneys (1842-1935, architect, concerning arrangements for a dinner party
30 - Letter from Edward Onslow Ford (1852-1901), sculptor, at 62 Acacia Road to [Adrian Scott] Stokes (1854-1935), landscape and marine painter, accepting an invitation
31 - Letter from Edward Onslow Ford (1852-1901), sculptor, at 62 Acacia Road, to Mr Ernest notifying him that he was sending a small bronze of his bust of Queen Victoria
32 - Letter from George [Arthur] Fripp (1813-1896), watercolourist, at 36 Carlton Hill to Frederick Walker (1840-1875), landscape painter and watercolourist, concerning Walker's drawing, 'Philip in Church', mislaid after the Dublin Exhibition
33 - Letter from W[illiam] Powell Frith (1819-1909), genre painter and watercolourist, at 114 Clifton Hill to J[ohn] Seymour Lucas (1849-1923), history and genre painter, arranging a visit to see Lucas's work in progress
34 - Letter from John E Gardner, print collector, at Park House, St John's Wood Park, to Joseph Durham (1814-1877), sculptor, concerning arrangements for Durham to see, the Marylebone part of Gardner's London collection
35 - Letter from Andrew Carrick Gow (1848-1920), genre and military painter, at 15 Grove End Road to Mrs Cohen concerning the framing of her portrait, 23 Mar 1893
36 - Letter from Andrew Carrick Gow (1848-1920), genre and military painter, at 30 Grove End Road , to John Pasco regretting his inability to give Pasco an introduction to private owners of his paintings, 4 Jul [1902-1904]
37 - Letter from Andrew Carrick Gow (1848-1920), genre and military painter, to Bernard Osborne informing him that none of Gow's works are in foreign galleries, except possibly one bought by the Empress of Russia
38 - Letter from E[dward] John Gregory (1850-1909), genre and landscape painter, watercolourist and engraver, at 8 Greville Place to Miss Jackson asking her to visit his sick wife
39 - Letter from E[dward] John Gregory (1850-1909), genre and landscape painter, watercolourist and engraver, at 8 Greville Place, to Mrs Fulleylove concerning her possible election to membership of the Royal Institute [of Painters in Water Colours]
40 - Letter from Maurice [William] Greiffenhagen (1862-1931), genre and history painter, at 12 Loudoun Road to Mrs Mann concerning photographs she had lent him
41 - Letter from Maurice [William] Greiffenhagen (1862-1931), genre and history painter, and extract from biographical dictionary, nd [1931]
42 - Letter from [Sir] George Hayter (1792-1931), history and portrait painter and miniaturist, at 33 Gloucester Place to Henry Mogford, picture framer, concerning the despatch to Mogford of Hayter's Picture, 'Our Saviour After the Temptation', and his son's picture of a Roman Charity, nd [1854-1856]
43 - Letter from Henry Y[eend] King at 15 Hamilton Terrace, to an unspecified correspondent requesting the depatch of a parcel of artist's materials, nd [1881-1883]
44 - Letter from Henry Yeend King in Hampstead to [John] Fulleylove (1845-1908), landscape painter and watercolourist, hoping that his health will improve
45 - Photocopy of letter from C[harles] R[obert] Leslie (1794-1859), genre painter, at 41 Portman Place to [...] Cooper enquiring about the date of the meeting of Marshall's creditors, nd [1832]
46 - Photocopy of letter from C[harles] R[obert] Leslie (1794-1859), genre painter, at 2 Abercorn Place to Sir Richard Westmacott (1775-1856), sculptor, asking for a ticket for his course of lectures
47 - Letter from C[harles] R[obert] Leslie (1794-1859), genre painter, at 2 Abercorn Place, to Henry Mogford, picture framer, requesting the return of his painting, 'Sancho'
48 - Photocopy of end of letter from C[harles] R[obert] Leslie (1794-1859), genre painter, to William Carpenter (c1818-1899), painter and engraver, concerning testimonials for Carpenter, including one from [Charles Lock] Eastlake (1793-1865), history painter, supporting his application for a post at the [...] Institution, nd [13 Feb 1845]
49 - Prospectus and proofs of engravings of a pencil drawing entitled 'The Batchelor' by J[ohn] F[rederick] Lewis (1805-1876), landscape painter and watercolourist, exhibited in 1829
50 - Letter from [William] Mouat Loudan (1868-1925), genre painter, at 48 Circus Road, to Mr Gilling discussing Gilling's design for playing cards
51 - Letter from J[ohn] G[raham] Lough (1798-1876), sculptor, at 13 Melcombe Place to William Jerdon asking him to view his statue of Lord Collingwood
52 - Letter from John D[albaic] Luard (1830-1860), genre painter, at Langham Chambers to Mr Gambart asking him for £20
53 - Letter from A[rthur] D[avid] McCormick (1860-1893), genre painter, watercolourist and engraver, at 58 Queens Road, to an unspecified correspondent expressing regret at being unable to send a copy of his book, ["An Artist in the Himalayas"]
54 - Letter from H[enry] Stacy Marks (1829-1898), history painter, to W[illiam] W[ithieu] Fenn (1827-1906), landscape painter, enclosing some notes and commenting on his election as an Associate of the Royal Academy
55 - Letter from H[enry] Stacy Marks (1829-1898), history painter, at 15 Hamilton Terrace, to Mr Loftie expressing his regret at not having the time to execute a commission for Mr Porter
56 - Letter from H[enry] Stacy Marks (1829-1898), history painter, at 15 Hamilton Terrace, to Tom [ ] concerning Marks' second drawing for the Royal Academy Summer Exhibition
57 - Postcard bearing signed copy of photograph of David Murray (1849-1933), landscape and marine painter, nd [c1900]
58 - Letter from J[ohn] T[rivett] Nettleship (1847-1902), animal painter, at 35 Acacia Road to Miss [Kate] Tayler, animal painter, concerning their paintings of animals
59 - Letter from Edmund J[ohn] Niemann (1813-1876], landscape painter and watercolourist, at 76 Newman Street, to [an unidentified dealer] concerning the prices of his works
60 - Letter from Walter W[illiam] Ouless (1848-1933), portrait painter, at 12 Bryanston Square to R R Blackwell concerning payment for a portrait of Mr Woods
61 - Letter from Arthur Owen at Angersleigh, Somerset, to Mrs G M Ahern concerning her research into Sir Edwin Landseer (1802-1873), animal and portrait painter and sculptor, knighted in 1850
62 - Letter from Arthur Owen at Angersleigh, Somerset, to Mrs G M Ahern, concerning the unpublished letters of Sir Edwin Landseer, (1802-1873), animal and portrait painter and sculptor, knighted in 1850, to Julia Leslie
63 - Letter from Sydney Pemberton, member of the Cheltenham Art Society, at Carlton Lodge to [John] Fulleylove (1845-1908), landscape painter and watercolourist, inviting to his studio Mrs Clayton Daubeney, daughter of General Clayton Browne who discovered the Rosetta Stone, and commenting on the acceptance of his works for the Royal Institute [of Painters in Watercolours] exhibition, nd [1885-1888]
64 - Letter from John Pettie (1839-1893), history and genre painter, in Hampstead, to the model of his portrait of 'Lady Teazle' arranging a date for sitting, 8 Mar [1874]
65 - Letter from John Pettie (1839-1893), history and genre painter, to [George Henry] Boughton (1833-1905), painter, concerning the displaying of Boughton's three paintings, 26 Apr [1875]
66 - Letter from John Pettie (1839-1893), history and genre painter, at 21 St John's Wood Road to [Edwin] Black, figure painter, asking him to join in congratulating [George H]enry Boughton (1833-1905), painter, on becoming an Associate of the Royal Academy, 19 Jun [1879]
67 - Letter from Sir William [Ernest] Reynolds-Stephens (1862-1943), genre painter and sculptor, in Hampstead, to Bernard Osborne in Bournemouth telling him about his past exhibitions of sculpture and discussing the possibility of more exhibitions of British sculpture abroad
68 - Letter from Frank Rinder (1863-1937), art adviser to Felton Bequest and National Gallery of Victoria in Melbourne, Australia, at 21 Woronzow Road to an unidentified correspondent offering to lend him some of his works on the Felton Bequest, National Gallery of Victoria, Australia
69 - Letter from J[ohn] H[enry Robinson (1796-1871), engraver, to an unidentified correspondent concerning Robinson's making of an engraving from Mr Griffith's drawing
70 - Letter from Lord William Russell at Norfolk House, Park Lane, St George Hanover Square, to [Anthony Vandyke] Copley Fielding (1787-1855), watercolourist, arranging an appointment, 19 Feb [1838]
71 - Letter from C Stuart Strick, assisstant secretary of the Savage Club, to John Fulleylove (1845-1908), landscape painter and watercolourist, informing him of his nomination for membership of the Club
72 - Letter from John M[acallam] Swan (1847-1910), genre and animal painter and sculptor, at 3 Acacia Road, to [...] Adams, painter, praising his picture, 'Thunderstorm'
73 - Letter from John M[acallam] Swan (1847-1910), genre and animal painter and sculptor, at 3 Acacia Road, to John Fulleylove (1845-1908), landscape painter and watercolourist, expressing his regret at being unable to see Fulleylove's drawings at present
74 - Letter from John M[acallam] Swan (1847-1910), genre and animal painter and sculptor, at 3 Acacia Road, to John Fulleylove (1845-1908), landscape painter and watercolourist, thanking him for his congratulations on his election to the Royal Academy, nd [1905]
75 - Letter from [John] Frederick Tayler (1802-1889), landscape painter, watercolorist and lithographer, at 38 Avenue Road to Miss Kate [Tayler] (animal painter, discussing a possible sale of his painting, 'The Cattle on the Corn'
76 - Letter from E[dward] Matthew Ward (1816-1879), history painter, at 33 Harewood Square to A P Broderip asking about the arrangements for Ward and [William Powell] Frith (1819-1909), genre painter and watercolourist, to visit him and telling him of the disposal of Ward's picture, 'Jamie', nd [1850-1851]
77 - Card containing photographs of E[dward] Matthew Ward (1816-1879), history painter and A [C] Mundella on reverse, nd [c1850-1879]
78 - Letter from E[dward] Matthew Ward (1816-1879), history painter, in Kensington, to J[oseph] Durham (1814-1877), sculptor, praising [William Powell] Frith (1819-1909), genre painter and watercolourist's, painting for Mr Fox and passing on news of Andreas and Mrs Holtz, for whom Durham was sculpting a marble bust
79 - Letter from [Lieutenant Colonel Henry] Stuart Wortley at Rosslyn House, Grove End Road, to [...] Dixon concerning a picture of Shakespeare attributed to [Cornelius] Jansen which he wants Dixon to see, nd [c1866-1890]
80 - Letter from [Lieutenant Colonel Henry] Stuart Wortley at Rosslyn House, Grove End Road, to [...] Dixon arranging an appointment, nd [c1866-1890]
81 - Letter from [Cecil Bisshopp], Lord de la Zouche, at Parham, Sussex, to [Henry] Bone (1755-1834), miniaturist, at Berners Street, asking whether the portrait of Charles Paget had arrived safely
Expand 2 - Correspondence relating to literature and theatre2 - Correspondence relating to literature and theatre
Expand 3 - Correspondence relating to music3 - Correspondence relating to music
Expand 4 - Correspondence relating to property and legal matters4 - Correspondence relating to property and legal matters
Expand 5 - Miscellaneous correspondence5 - Miscellaneous correspondence
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